The Whale Hunt is a storytelling experiment.
In May 2007, I spent nine days living with a family of Inupiat Eskimos in Barrow, Alaska, the northernmost settlement in the United States. I documented their traditional whale hunt with a plodding sequence of 3,214 photographs, taken at five-minute intervals for seven days, and at even higher frequencies in moments of high adrenaline. This established a constant “photographic heartbeat” that more or less matched the changing pace of my own heartbeat, and which recorded every moment of the hunt. I then developed a framework for experiencing this story, allowing the viewer to rearrange the photographic elements of the story to extract multiple sub-stories focused around different people, places, topics, and other variables.